![]() ![]() I’ve done a Ring Cycle I’ve read Ulysses I’ve done Einstein on the Beach (five hours) and Gatz (eight). What expectations did you have going in?Īlex: Movie marathons aren’t my thing but, as a man blessed with a long attention span, I’ve sat through a bunch of sizeable artworks, including a memorable nine-hour avant garde concert in Adelaide which included what sounded like a man rustling a crisp packet for 20 minutes. What’s surprising is that, with the exception of a few stretches, these lengthy and somewhat mystifying sequences can also be enthralling in a traditional moviegoing way. The films are a part of a larger work, and, as such, I always expect to go into his movies with an expectation merely to “enter a zone”. The props created for his films are later sold as sculpture to collectors, and can be found in galleries and museums. In recent years I’ve used the phrase “could double as an installation piece” when discussing beautiful films with hard-to-reach narratives, movies like Terrence Malick’s To the Wonder or Carlos Reygadas’s Post Tenebras Lux.īut Barney really does live at the other end of that divide. ![]() ![]() I’ve done Béla Tarr’s Sátántangó (seven hours and 12 minutes) and Jacques Rivette’s Out 1 (12 hours and 53 minutes, spread out over two days), plus the Alamo Drafthouse’s 24 hour Butt-Numb-a-Thon, but what makes this one different is its museum aspect. Jordan: I’ve done my share of movie marathons. Matthew Barney as the satyr in Cremaster 4. ![]()
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